Sign in to rate and Watchlist for personalized recommendations. If you want to come we could talk and then in the morning we could have breakfast like my dad used to(he pausesthen excitedly as though an idea had suddenly struck him) Gee . What does a rebel without a cause expression mean? After moving to a new town, troublemaking teen Jim Stark (James Dean) is supposed to have a clean slate, although being the new kid in town brings its own problems. . (breaks off, then) You couldnt help it son. Rebel Without a Cause (1955) Trailer - James Dean MovieSubscribe to CLASSIC TRAILERS: http://bit.ly/1u43jDeSubscribe to TRAILERS: http://bit.ly/sxaw6hSubscribe to COMING SOON: http://bit.ly/H2vZUnLike us on FACEBOOK: http://bit.ly/1QyRMsEFollow us on TWITTER: http://bit.ly/1ghOWmtA rebellious young man with a troubled past comes to a new town, finding friends and enemies.Welcome to the Fandango MOVIECLIPS Trailer Vault Channel. Read critic reviews. It was indeed an iconic screen drama of the 1950s, serious-minded, superbly acted, and . Jim tends to use the technique of binary reasoning to problem solve. . The circumstances surrounding Buzzs death force him to deal with how things standlaws have been broken, a boy is dead, and he is neck deep in it: Pump - Rebel Without a Cause, - , MBC Top Music 19960126. Jim: Buzz? Franks good intentions also include buying gifts for his son, and buying his sons way out of trouble. As the title states, their causes are impossible to define. One actress who was not a contender at first was Natalie Wood, who Ray was hesitant to consider because of her early career, and thus public reputation, as an innocent child star. Drama, Original Language: For example, Frank encourages activities that are buddy buddy in nature, but that are not necessarily meaningful for a father and son relationship: Frank lacks the necessary parenting skills Jim needs in order to deal with the confusion of growing up. Crowther was not impressed by James Dean's acting, and cited the various mannerisms he believed Dean copied from Marlon Brando, asserting that "Never have we seen a performer so clearly follow another's style" and calling Dean's interpretation of the Jim Stark role a "clumsy display". Stewart Stern, Release Date (Theaters): That, the story goes, is why Hopper played Goon instead of Crunch (Mazzolas eventual role) in the film. (the pounding ceases) See? His rare talent and appealing personality even shine through this turgid melodrama. Judy: Yes! He always wants to be my pal, you know? he mumbled when he thought no one was listening and started his sentences over, louder and clearer, when he discovered with surprise that he was being heard. He's great in scenes of angst, but also in those with spontaneous banter and play. Jim: What would you do, Dad? I put quotations around the words "essential" in that one line because, really, I'm not totally sure what essential means really when it comes to seeing films from that decade. The film was an attempt to portray the moral decay of American youth, critique parental style, and explore the differences and conflicts between generations. Jim beats Buzz in the knife fight, knocking the switchblade out of his hand and pressing the blade of his own knife against Buzz's neck, and then throws it away. The fathers arms envelop him. Maybe next summer hes going to take me hunting with himand fishing. Peary describes the conditions that led up to the overall troubles in Rebel Without a Cause: According to an AFI interview with Stewart Stern, with whom Shulman worked on the screenplay, one of the scenes was thought to be too emotionally provocative to be included in the final print of the film. Romance blossoms between Judy and Jim, but Rebel Without A Causesuggests Jim and Platos friendship isnt entirely platonic. Father: This is news to me! As an example of the future as the forewarning for the consequence of doing, the chances Buzz takes and his disregard for authority forewarn the likelihood that he will always engage in actions that garner negative attention. Embracing all of these well-known story elements and creating a fresh take on this genre is really what this film does best. Coming Soon, Regal Although he admitted that there are moments of accuracy and truth in the film, he found these "excruciating", and discerned a "pictorial slickness" in the production's use of the CinemaScope process and its filming in the widescreen format, a slickness he declared was at odds with the realism of Ray's directing. A rebellious young man with a troubled past comes to a new town, finding friends and enemies. It significantly boosted the career of James Dean, who died tragically in a car accident before the movie's release and became the cultural icon that we know him as today post-mortem. Jim considers his family environment a zoo; Jim is the new kid in town trying to fit in; and so forth. . (283). Warner Bros. Pictures, An example of an unessential restriction put on the requirement of becoming is illustrated by Platos desire to be part of a happy family with Jim as his father: William Zinsser, however, wrote a scathing review of Rebel in his New York Herald Tribune column, concluding his summary of the film's plot with the words, All this takes two hours, but it seems more like two days. A benefit accrued by Jim and Judy on the way to the goal of being part of a functional family is their developing romance; Jim feels confident enough in the way things are going, such as his interest in Judy, to remark to his parents: You know something? Frank Stark is too ineffectual a man to be of use to his son, leaving Jim feeling alone and disassociated from his family. At the beginning of Rebel Without a Cause, it is clear that father and son love each other, yet they cannot relate to one another. Plato: Oh, I dont know. That they are unable to articulate their desires leaves them to resort to their physicalitysuch as fightingwhich only undermines their aspirations to be taken seriously. Routine check. His fixed point of view defines the generation gap type of thinking when it comes to his son. Soon after his family moves to a new town, he takes on violent gang members while finding comfort with fellow troubled teens Judy (played by Natalie Wood) and Plato (Sal Mineo). In addition to the Storyform, you'll also find any additional analysis or media related to the story in question. We search near and far for original movie trailer from all decades. This realization occurs at the planetarium when he witnesses his sons emotional and physical vulnerabilities: The film, however, does not make any references to Lindner's book in any way. Does life always give second chances? . On February 12, 1976, Sal Mineo was murdered outside his Los Angeles apartment at the age of 37, and Natalie Wood famously and mysteriously drowned in the waters off Santa Catalina Island on November 29, 1981, at the age of 43. He pushes the officers aside shouting: Let him alone! Jim and Judy hide out in the deserted mansion that Plato had told Jim about. With Stern on board, the films key influences emerged. Rebel With a Cause. S6E3 'Rebel With a Cause clips. In their book Live Fast, Die Young: The Wild Ride Of Making Rebel Without A Cause, film critics Lawrence Frascella and Al Weisel note that an earlier version of the movies script even featured a scene in which Jim and Plato shared a kiss. However, Judy is the girlfriend of neighborhood tough, Buzz (Corey Allen). In one of the most influential performances in movie history, James Dean plays Jim, the new kid in town whose loneliness, frustration and anger mirrored those of postwar teens -- and still reverberates more than 50 years later. Then he kneels beside his son, puts his coat over Jims shoulders. The film has not aged well, and Dean's performance seems more like marked-down Brando than the birth of an important talent. On the other hand, she praised James Dean's acting, writing, "[w]ith complete control of the character, he gives a fine, sensitive performance of an unhappy, lonely teenager, tormented by the knowledge of his emotional instability. Although the distributors initially wanted an 'A' certificate they were told that further cuts would have to be made, so the above print was released as an 'X'. Perhaps most importantly, though, both Ray and Stern drew on their own lives, and Stern in particular took inspiration from his own relationship with his parents. You better give me something fast. In the aftermath of Allen's character dying, the film spirals in ways which seem a bit exaggerated. As an example of how Jim uses the future as the standard to judge the degree of his concern, at the start of the story Jim has no friends, however, as he falls in love with Judy he assures her that they will never be lonely again. You better give me something fast. Though Jim struggles to stay out of trouble, he forms a close bond with two equally disaffected classmates: Judy (played by Natalie Wood), a popular girl with a difficult home life, and outcast John Plato Crawford (Sal Mineo) who is bullied by his peers. DadDaddont. Upon meeting Jim, Platoa friendless misfitimmediately looks up to him as a father figure. . Frank comforts his grieving son, vowing to be a stronger father. Distributor: His parents, not wishing to stick their necks out, try to talk him out of it. By creating an account, you agree to the From Oscar-winning films like Call Me By Your NameorMoonlight to critically acclaimed TV shows like Love, Victor and Euphoria, theres an abundance of productions that feature young LGBTQ characters discovering and accepting their sexuality. Director Nicholas Ray noticed this trend, and became interested in the idea of a film about juvenile delinquents. Buzz figures out that by calling Jim a chicken he can get a rise out of him; Jim discerns the real cause of why his family cannot stay in one place is predominantly because of his mother; and so forth. Thanks to East of Edens success that spring and early screenings of Rebel Without a Cause, by September of 1955 James Dean was on the verge of mega-stardom. Father: Let him alone! (Stern 52). He praised Dean's interpretation of a maladjusted teenager, noting his ability "to get inside the skin" of his character as "not often encountered". After he joined the cast, Mazzola began remarking upon various phony elements of the script, as well as the wardrobe, the cars used, and more. The film opens with the image of a seemingly drunken young man named Jim Stark, lying down and playing with a toy monkey. As Jim Stark, Dean gave the quintessential performance of a restless teenager, hiding behind a mask of casual indifference while yearning for love, purpose, and recognition. He even helped choreograph the knife fight based on a real encounter he had with another gang member. . When some of the teenagers go after Jim thinking he might go to the police, tragedy ensues. Cinemark Ray worked hard to get to know his young lead, hanging out with Dean in New York, getting drunk and smoking pot together, and then ultimately holding lengthy rehearsal sessions at Rays Chateau Marmont bungalow. Analysis: Rebel without a Cause was symptomatic of the fifties as a transitional era. Ranked 477th on list of the 500 greatest movies of all time in 2008. (Stern 83-84). Would you do it? Meanwhile, Plato is intercepted by three members of Buzz's gang, who are convinced that Jim betrayed them to the police. The events that occur in the present 24 hour period of Jims life, although filled with tragedy, give him hope for the future. The severity of this consequence is underscored by Jim when he says to Ray: I dont know what to do anymore except maybe die (Stern 16). The facthe is often seen gazing adoringly at Jim and has a picture of Hollywood heart-throb Alan Ladd taped inside his school locker has seen the character cited as one of the first gay teenage characters in film history. Ray, hoping for a classic, timeless tone to his story, claimed Romeo and Julietthe best play written about juvenile delinquentsas an inspiration, while Stern would later recall that he considered the film to be in some ways a new take on Peter Pan, with the crumbling mansion standing in for Neverland, Jim standing in for Peter, Judy for Wendy, and Plato for The Lost Boys. Jim expresses his need to come clean to the police. All three lead actors met untimely deaths. As Jim involves himself in dangerous and illegal activities, Frank must overcome his ineffectualness to be the man Jim needs to lean on. Helen loves a good movie musical too and has probably watched The Rocky Horror Picture Show, Hedwig And The Angry Inch, The Blues Brothers and Little Shop Of Horrors more times than is healthy. He also looks at problems in terms of cause and effect. A person who fights, rebels, or protests against the established norm of society or government, without having any real or particular end goal they wish to achieve. When that leads to an accident and a death, Jim wants to go to the police but his parents refuse to let him do so. Jim touches his fathers elbow, bringing him to his feet. Mother: I still think you should go down. The police, Jims parents, and Platos housekeeper have converged outside the planetarium. Mr. and Mrs. Stark grill Jim to find out if anyone has any idea that he was involved in Buzzs death; Crunch and the gang have the idea that Jim has squealed to the police; Jim comes up with the idea of hiding out at the old mansion with Judy; Plato comes up with the idea of taking his mothers gun; Frank has no idea where his son has disappeared to; and so forth. . [Ray] had terrible pangs of conscience about himself as a father, and I had terrible fury about myself as a son, and we both knew that that was a stream that was both shared in different ways, Stern recalled. For the scene in which Jim drunkenly pounds on the desk in the police station, Dean apparently actually got drunk and then pounded the desk as hard as he could, breaking bones in his hand and leaving Ray forced to shoot around the bandages. a rebel without a cause phrase. . The father stares down at Jim for a moment. Frank: ListenI took a steak out of the freezer. Jim: Im not hungry. He gave us our lines; he dominated the entire thing, Ann Doran, who played Jims mother, later recalled. Warner Home Vdeo, Unfortunately, this is not the kind of interaction Jim wants or needs. When his mother, father and grandmother arrive at the police station to retrieve him, conflicts in Jim's family situation are introduced as he explains to the arresting officer. I had to go or I would never have been able to face any of those kids again (Stern 71). Changes have happened to them. Regal Every time you cant face yourself you want to move and you say its because of me or the neighborhood or some other phony excuse. The exception is Dean, the gifted young actor who was killed last month. People he really likeshe lets call him Jamie. (Stern 58). Irving Shulman, who adapted Nicholas Ray's initial film story into the screenplay, had considered changing the name of James Dean's character to Herman Deville, according to Jurgen Muller's Movies of the '50s. The three new friends act out a fantasy as a family. So we fought and some cars were smashed, some people were really hurt, and then Nick said cut, and that was that, Jack Grinnage, who played Moose, recalled. When the juvenile officer refuses the gift, Frank continues to press him until his wife drags him away in embarrassment. The film was partially shot in black and white, but the studio then stopped production and reshot in colour. Shortly after moving to Los Angeles with his parents, 17-year-old Jim Stark (James Dean) enrolls at Dawson High School. From a historical perspective, however, and for the significance of James Dean, it is worth a viewing, at least once, if you want to know at least what the industry leaned towards in the 50s. . Now reconciled to his parents, Jim introduces them to Judy. The thematic conflict that Jim must grapple with is the absence of a secure family home life that he so desperately needs to counteract the outside world in which he is vulnerable. Directed by Nicholas Ray, the 1955 drama tells the story of rebellious teen Jim Stark (James Dean) who moves to a new town with his timid father and domineering mother in hopes of a fresh start. Share the best GIFs now >>> Plato then falls asleep, and Jim and Judy leave to explore the mansion, where they share their first kiss and voice their love. Attempts to create a film version in the late 1940s eventually ended without a film or even a full script being produced. Nicholas Ray, Jims drunkenness lands him jail; Buzz cannot get out of his car in time to prevent his driving over the cliff which results in his death; Platos death brings the Stark family together; and so forth. Published in 1944, the book was a case study of a young man named Harold who was then an inmate at the Lewisburg Federal Penitentiary in Pennsylvania. PG-13 (Thematic Elements|Some Violence), Genre: The story of the making of Rebel Without a Cause actually goes back nearly a decade before it arrived in theaters in 1955, to a book of the same name by Dr . As the writing process for the Rebel Without a Cause screenplay (the studio ultimately insisted on that title instead of Rays preferred The Blind Run) got underway, Ray and Warner Bros. butted heads over who should collaborate with him on the project. Filmed in the then recently introduced CinemaScope format and directed by Nicholas Ray, it offered both social commentary and an alternative to previous films depicting delinquents in urban slum environments. Seemingly unimpressed by Jim at first, she declines and is instead picked up by her "friends", a gang of delinquents led by Buzz Gunderson. In 1990, Rebel Without a Cause was added to the Library of Congress's National Film Registry as being deemed "culturally, historically, and aesthetically significant".[5][6]. As the film plays out, we see Wood has problems with her parents too - her dad, apparently uncomfortable with her budding sexuality, slaps her across the face for giving him a kiss as she would have when smaller. By opting to have your ticket verified for this movie, you are allowing us to check the email address associated with your Rotten Tomatoes account against an email address associated with a Fandango ticket purchase for the same movie. Nicholas Ray, Producer: Jim talks Plato into coming outside. Ill stand up with you. . Why were Jimbo, Plato, and Judy in the police station at the beginning of the movie? Jims inability to communicate with his parents and other adults . Jim: I dont want to drag you into this but I cant help it. Youre not tearing me loose anymore. He called me a goddamn juvenile delinquent! [21][22] Rebel was also banned in Spain, where it had to be smuggled into the country for private screenings, and wasn't officially released there until 1964. As a teenager, Jim has no wealth of experiences to draw on when faced with a difficult decision, which is why he asks his (presumably experienced) father. Then there was the switchblade fight between Jim and Buzz (Corey Allen), which was done with real blades, though certain precautions were taken (Dean can be seen in production stills placing padding under his shirt). While on a night out with friends, she got into a car accident. Rebel Without a Cause began as a black-and-white, academy-radio (4:3) picture, but the revolution in cinema brought about by the threat of television meant the original footage was scrapped and production started over in magnificent widescreen and colour. 3:55. In the opening scene, Jim is brought into the police station for public drunkenness. Later during production, Grinnage remarked to a co-star that hed really love to see the footage Ray had gotten of the fight that day, and his co-star replied that there had never been any film in the camera. Just below that it reads "Ticket Confirmation#:" followed by a 10-digit number. Plato fires at Jim. Franks suggestion is to make a list of pros and consan unacceptable answer to Jim. When tragedy occurs at the chickie race between Jim and Buzz, Jim, Judy, and Platoa misfit Jim has befriendedband together. His mother (Ann Doran) prefers to move whenever a problem comes up rather than confront it and his father (Jim . In the police station at the beginning of Rebel we see a March of Dimes poster on a pole. Ray: That why you moved from the last town? Dennis Hopper made his debut in a brief role as a goon. Rebel Without a Cause is about a troubled teen, Jim Stark, who's family moves constantly because of his rebellious actions. To receive a UK cinema certificate the film was extensively cut by the BBFC. Verified reviews are considered more trustworthy by fellow moviegoers. For example, when hes called a chicken, he puts his fists up; his concern for Plato compels him to run into the planetarium at the risk of being shot (by the police or by Plato); interestingly, he tries to change his tendency to fight first and reflect later by stalling when he is challenged by the gang I dont want trouble (Stern 41) but when backed against the wall he fights All rightyou want it, you got it (Stern 43). [13] The movie opened to mixed reviews when it was released on October 27, 1955, less than a month after James Dean, whose performance was praised all around by film critics, died on September 30. we could . swaggering, self-conscious, piratical (Stern 22); Buzz and Judy are big wheels on campus; Jim and Judy pretend to be married and Plato pretends to be their real estate broker; Plato wants Jim and Judy to be his family; Judys father ponders the complexity of being a father to a sixteen year-old girl, when it appears so easy to be a father to a little boy; Jim and Frank act buddy buddy; Jims grandmother puts on an act at the police station that everything is all right with Jim: Hes always been a lovely boy (Stern 17); Jim confronts his mother when she acts as if their family is not involved with the tragedy of Buzzs death: A boy was killed! Jim about up to him as a transitional era and so forth Judy... 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